8.9.10

Amateur Takes Control - You, Me, and the Things Unsaid


Amateur Takes Control
You, Me, and the Things Unsaid
2008 / 11 tracks, 54.2 mins / Kitty Wu Records
[Request for Download Link] (125MB)


"Built On Miles of Hope" comes in like fresh air when you've just come out of an air-conditioned building, that is, air-conditioned with large doses of boring and noisy. And the tracks thereafter too. Not to say that Amateur Takes Control stops being noisy after "Built On Miles of Hope", and not to say that they stop being boring either. But their form is well-improved, with "The Difference is" and "Leaving It Under Carpets" proving Amateur Takes Control has got the catchy hooks to keep one interested. Unfortunately, they're just too sparse, and the album ends on a horribly weak note, culminating in huge misstep title track "You, Me, and the Things Unsaid", where wildly unnecessary snippets of hip youngsters adorn the sound waves talking about things with their mouths pouting and their eyeballs rolling to look at the top, thinking about the smartest things they could say; Seems artful, maybe, seems clever, seems hip, seems utterly distracting, seems stupid and out of point. I never felt love or any of the things said in that song during the run-through of the album, but whatever - I've got MP3 players for a reason, and one of them is that I can make "Ghost Promises" the closer.

B4

Track Cuts: "The Difference is", "Leaving It Under Carpets"

Radio



I've always wondered what the radio stations in Singapore have been doing for the local scene here. But I don't usually listen to the radio - It just isn't my type, if you know what I mean? It's to limited, confined to only a low spectrum of music. I can't disagree that there are some tracks on the airwaves which are great stuff, only not everything is, and there's too little to choose from anyway.

I just went to 91.3FM party, which was commemorating DJ Adam's last days in the studio before he's getting his hair (or half of it) shaved off and his next two years sentenced to mandatory National Service. It's all good. Then I asked a question while the music was playing at the DJs were off air.

I asked what they were doing to help in the local scene. DJ Sam liked For This Cycle, a band which gained popularity through competitions such as the ones NoiseSingapore hold, but mainly because he's got a distant cousin who plays for them. As for the radio station itself, they've got a segment on their website which features local artists. And on the radio, they mention it out so that people could have a look at it. Or be suggested to. Or be mentioned. Forgotten.

It's very little on the radio station's part to be so minimal on their support for the local scene. Whereas radio stations elsewhere, like the States, would be very proud of their hometown heroes and rotate them heavily, local radio stations here seem almost embarrassed to be showcasing the music in Singapore.

I know bands like Ronin and the Great Spy Experiment, maybe even Allura have gotten play time on the radios here. Specifically, 987fm, part of Mediacorp. But that's not enough. Sure, you've got band interviews here and there live with the DJs, but that's it...

Maybe it's down to money constraints. People don't care about unheard nonsense like EZA or Parking Lot Pimp. They want tracks they already know, mostly international hits by the time it's reached their ears. And it won't sell to be playing local music. And there isn't any major record label constantly prodding you to play a famous artist's song more often on the radio.

We need more support. It's time to forget about money. I know it's hard. But for the nation's sake. Remember how we cheered in the Singapore Youth Olympic Games? Let's have the same enthusiasm for local music too!

One day I'll retire as a millionaire and start up my own frequency with money being no object. There won't be no bloody commercials, maybe fake ones, a la Grand Theft Auto. Stuff like "Got problems? Don't worry! Here's caller telling you the best solution possible to all the difficulties in life: 'I used to be scared of my children getting hurt. So I killed them. Now I'm not scared any longer!' " will be on it. And the radio station will play 50% local music.

Millionaire. Music. 50% local.

I can sure as hell dream.

4.9.10

The Pagans: Stereokineticspiraldreams


The Pagans
Stereokineticspiraldreams
1993 / 12 tracks, 45.9 mins / Tim Records
[Request for Download Link] (105MB)

[Full Review / Commentary / Track List Here]


Straight-up hardcore skateboard punk viewed through hazy shoegaze-o-visions, mixing both well enough not to be considered specifically influenced by an artist of either side. And the Pagans come across a surf rock band. Midway track "DHL"'s chord falls and build-ups sound great without vocalist Morris, but when he comes in, everything just reaches a new level of awkwardness. Remember that guy? In Singapore Idol? Who was so soft? Remember how during one of the episodes when he was brought on to the show and heard with the help of cranked up amplifiers? Morris sounds exactly like that. I can't make out much from this album; it's like trying to distinguish an enemy character amongst the realistic dark overtones from GTA IV. One thing's for sure though, and it's that this album is bland - the perks like Morris' voice comes more of an annoyance than a distinct feature.

C5

Track Cuts: "Part II" (Morris screams, that's why)

3.9.10

Allura: Wake Up and Smell the Seaweed


Allura
Wake Up and Smell the Seaweed
2008 / 6 tracks, 25.5 mins / Unsigned
[Request for Download Link] (59MB)

[Full Review / Commentary / Track List Here]

Starts strongly with "Liberty with Wings". Don't mind the harsh guitar and clunky drums throughout the six tracks, because "Wake Up and Smell the Seaweed" is infectious, easy, relaxing, even. Even the weakest link "Gamajazillion" has its own clever-artful-Polytechnic-student breakdown, several of them, in fact, "Wake Up and Smell the Seaweed"'s makes up for its lack of originality by piling up truckloads of been-there-done-that ideas and screws them together solidly. In a world where music is getting recycled so often, what better way to escape the inevitable subconscious sampling than to embrace it fully? These guys are so unabashedly crafted with smorgasbords of rhythm generics that they manage to be entertaining despite sounding completely overused. Power-pop post-grunge emo-punk "Ladeda" saves the back from drifting off into a hazy and boringly mediocre ending. It's the single-handed saviour of Singapore's alternative rock scene, and the best image lead singer Inch Chua has ever had to offer.

B4


Track Cuts: "Ladeda"

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Rudra: Brahmavidya: Transcendental I


Rudra
Brahmavidya: Transcendental I
2009 / 14 tracks, 68 mins / Trinity Records, Vic Records
[Request for Download Link] (103MB)

[Full Review / Commentary / Track List Here]

"Meditations at Dawn" is sweetly welcomed as a breather after the gnashing 17-minute crush, but I'm still kept on my toes because Rudra kicked the door in on an apartment ritual blasting visual sound waves on the first song. Mountainous peaks in the record highlight themselves atop quieter valleys creating pitfalls which can be easily tripped on. And that's exciting good fun. Now someone convince me that every other metal record will not sound like this?

B3

Track Cuts: "Meditations at Dawn", "Venerable Opposites", "Adiguru Namastubhyam"

Website Last.FM Myspace

2.9.10

EZA: Minimal Variations

EZA
Minimal Variations
2009 / 11 tracks, 47.3 mins / Unsigned
[Request for Download Link] (109MB)

[Full Review / Commentary / Track List Here]

Minimal variations doesn't mean variations of minimal. In fact, this record is so maximal it's a complete mess. The journey is in equal parts exhilarating and exhausting, and demands absolutely all of your attention or none of it at all. "Badupbebop (Live)" is truly orgiastic with its air-guitar sequences (which are apparent throughout the album), and despite its relatively enormous length, it transitions to the next song just as well as any other on the record without losing any of the energy built up all the way from the start. That which is "Tragic", a puzzling album-opener which seeks to destroy your eardrums with clattering cymbals to numb you out for the rest of the experience. Not that it can stop the searing energy pulsating into your heartbeat and possessing your mind into a bed-rocking air-guitar god.

A2

Track Cuts: None

iLike Friendster

1.9.10

Parking Lot Pimp: Welcome to Our Frequency


Parking Lot Pimp
Welcome to Our Frequency
2005 / 12 tracks, 57.4 mins / EMI
[Request for Download Link] (132MB)

[Full Review / Commentary / Track List Here]


"Welcome to Our Frequency" is not so much of a welcome, and neither is the frequency unique, but it's enjoyable from a casual perspective. The beatbox mix on "Love Song for a Love Song" is a nice touch, and the phone-in lines in "A Letter from Dreamland" is quirky, but it's not what Parking Lot Pimp can excel in. They're very good as an unabashedly pop-rock-hop party band. However, "Little details I don't got to know", because the album's more casually enjoyable than any Jamiroquai album out there. Solid as a full packet of R&B tracks, with all of them catchy to a very dim and simple point. Still, I'm a little turned off by how they censored themselves on "Light Switch". And how "Light Switch" sounds like a Jamiroquai staple.

B4

Track Cuts: "Life's Thinking About You"

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