30.12.10

TypeWriter - Indian Head Massage


TypeWriter
Indian Head Massage
2010 / 10 tracks, 42.6 mins / Universal

[Full Track List / Review / Commentary Here]


I can't say much about the album itself, but I can try. Their lyrics are mediocre, their music is mediocre. Cookie-cutter, nothing new. I'd be very disappointed if they're considered good because they don't go 'all computer-y'. It's dull. TypeWriter lack a concrete, convincing style or format to follow to. They just remain in blurry 'indie' ideals, possibly meaning Pop music (inclusive of ballads, rocky tunes, etc etc) only packaged for the 'different thinkers' of today's world. That's good, because you probably got to 'think different' to be into Singaporean music.

D7


Track Cuts: "Beautiful Knows"

Wordpress
BandCamp Myspace Facebook Last.FM

16.11.10

The Boredphucks - Banned in da Singapura


The Boredphucks
Banned in da Singapura
1999 / 17 tracks, 1 hour / BigO Records

[Full Track List / Review / Commentary Here]

Banned in da Singapura is something that would most definitely strike the hearts of men and women in Singapore, particularly men though; It's vulgar, it's multilingual, it's anarchistic, full of energy and everything that made (single sex) schools so fun. The Janelle MonaƩ of Singapore, the Clash of Singapore, I can make up all these comparisons. The Boredphucks' Banned in da Singapura is in a league of its own here. And don't let the authorities get in your way of having fun, brothers.

A1


Track Cuts: "Ai Sio Kan Mai", "Phuck You Pt 2"

Stellarium - Stellarium


Stellarium
Stellarium
2009 / 9 tracks, 50.9 mins / EARBLEEDWAXPOPSUPERSONICWHITENOISEFEEDBACKFUZZKILL

[Full Track List / Review / Commentary Here]


Aural haze meant to kill your eardrums and force you to mute the thing even with it running so that it could be registered on Last.FM. And enjoyable at that, only if Stellarium knew how to stop using unadulterated noise as a form of public masturbation. And stop sounding like My Bloody Valentine as well. God, that fact is probably even more spine-tingling than the music itself.

B4


Track Cuts: "Fader"

BandCamp Last.FM Myspace

7.10.10

What's for October 2010 (and Musings on Grading)

With the examination period (mostly) over and the purchase of a new computer imminent, I'm honestly stoked to get back into writing more of these reviews that will sum up as one in documenting Singaporean music on a whole. This October, on top of my heaping mountain of projects ranging from the aural to the visual, I'll be reviewing more and more of what Singapore can offer, including Postbox's debut EP as well as Stellarium's new album.

I don't mind if they're old or not. As I've been getting more contacts over the last month, I've learnt more about Singapore music's history and its noticeably expanding genre scope. It's not that it's actually growing; more of my own view getting less and less blinkered as I know more.

I'll also be compiling playlists, featuring singular songs from each of the albums that have been reviewed thus far. Of course it'll be the picks- I am promoting here! Criterion for each album to be in the playlist is as long as it doesn't fail. I don't think I'm actually going to give any album a score lower than D7, however - I do think I've been far too critical in the review of the Great Spy Experiment's 2007 dance rock breakthrough Flower Show Riots, which I'd given a C6. Not that my review was too critical for the album. I'm talking about the C6. (Flower Show Riots sucked.)

So if a 'sucked' album could get a C6... where could I go from there? I'm here mostly for critique anyway, not just plastering F9's like nobody's business as it is within my greatest interests to see that all of these talented musicians do well. An E8 and an F9 could very well be rarer than an A1, which I have also yet to give.

It's been highly tempting to give MUON's "The New Mutants" an A1, but when I say A1, I mean, hell, this is totally mind-bending. They change my perspectives of music and what it has in store for me (in a good way). "The New Mutants" is fantastic, but nothing extraordinary. What's extraordinary? Looking at music elsewhere, I'd say DJ Shadow's "Endtroducing...." (1996), the Dave Brubeck Quartet's "Take Five" (1959), the Clash's "London Calling" (1979) and maybe even Dizzee Rascal's "Boy in da Corner" (2003) if I'm feeling particularly grimey at the moment.

Otherwise, best not to get all tight on grading and reviewing and critiquing and exalting. Opinions, thoughts, mindsets, ideals, they all change, and at this adolescent age of mine, I'm an absolute ideology chameleon.

What's me listening to now outside of Singapore? The Shins' "Chutes Too Narrow", a fantastic progression of pop music cleverly crafted, Public Enemy's "It Takes a Nation of Millions to Hold Us Back", the most balanced hip-hop album ever, Flying Lotus' "Pattern+Grid World", short and sweet and sensational, Jason Moran's "Ten", a modernistic jazz piece with an unthinkable Theolonious Monk cover, James Blake's "Klavierwerke" and "CMYK", who I wish a complete album from, and lest I forget, EZA's "Minimal Variations", whose Badupbebop still plays like a broken recorder in my head.

Also, Cee-Lo's profanity party of a track "**** You" is absolutely wonderful and a joy to hear on the radio. And also uttered by little 10-year olds who have an all-too-clear idea of the world surrounding them.

8.9.10

Amateur Takes Control - You, Me, and the Things Unsaid


Amateur Takes Control
You, Me, and the Things Unsaid
2008 / 11 tracks, 54.2 mins / Kitty Wu Records
[Request for Download Link] (125MB)


"Built On Miles of Hope" comes in like fresh air when you've just come out of an air-conditioned building, that is, air-conditioned with large doses of boring and noisy. And the tracks thereafter too. Not to say that Amateur Takes Control stops being noisy after "Built On Miles of Hope", and not to say that they stop being boring either. But their form is well-improved, with "The Difference is" and "Leaving It Under Carpets" proving Amateur Takes Control has got the catchy hooks to keep one interested. Unfortunately, they're just too sparse, and the album ends on a horribly weak note, culminating in huge misstep title track "You, Me, and the Things Unsaid", where wildly unnecessary snippets of hip youngsters adorn the sound waves talking about things with their mouths pouting and their eyeballs rolling to look at the top, thinking about the smartest things they could say; Seems artful, maybe, seems clever, seems hip, seems utterly distracting, seems stupid and out of point. I never felt love or any of the things said in that song during the run-through of the album, but whatever - I've got MP3 players for a reason, and one of them is that I can make "Ghost Promises" the closer.

B4

Track Cuts: "The Difference is", "Leaving It Under Carpets"

Radio



I've always wondered what the radio stations in Singapore have been doing for the local scene here. But I don't usually listen to the radio - It just isn't my type, if you know what I mean? It's to limited, confined to only a low spectrum of music. I can't disagree that there are some tracks on the airwaves which are great stuff, only not everything is, and there's too little to choose from anyway.

I just went to 91.3FM party, which was commemorating DJ Adam's last days in the studio before he's getting his hair (or half of it) shaved off and his next two years sentenced to mandatory National Service. It's all good. Then I asked a question while the music was playing at the DJs were off air.

I asked what they were doing to help in the local scene. DJ Sam liked For This Cycle, a band which gained popularity through competitions such as the ones NoiseSingapore hold, but mainly because he's got a distant cousin who plays for them. As for the radio station itself, they've got a segment on their website which features local artists. And on the radio, they mention it out so that people could have a look at it. Or be suggested to. Or be mentioned. Forgotten.

It's very little on the radio station's part to be so minimal on their support for the local scene. Whereas radio stations elsewhere, like the States, would be very proud of their hometown heroes and rotate them heavily, local radio stations here seem almost embarrassed to be showcasing the music in Singapore.

I know bands like Ronin and the Great Spy Experiment, maybe even Allura have gotten play time on the radios here. Specifically, 987fm, part of Mediacorp. But that's not enough. Sure, you've got band interviews here and there live with the DJs, but that's it...

Maybe it's down to money constraints. People don't care about unheard nonsense like EZA or Parking Lot Pimp. They want tracks they already know, mostly international hits by the time it's reached their ears. And it won't sell to be playing local music. And there isn't any major record label constantly prodding you to play a famous artist's song more often on the radio.

We need more support. It's time to forget about money. I know it's hard. But for the nation's sake. Remember how we cheered in the Singapore Youth Olympic Games? Let's have the same enthusiasm for local music too!

One day I'll retire as a millionaire and start up my own frequency with money being no object. There won't be no bloody commercials, maybe fake ones, a la Grand Theft Auto. Stuff like "Got problems? Don't worry! Here's caller telling you the best solution possible to all the difficulties in life: 'I used to be scared of my children getting hurt. So I killed them. Now I'm not scared any longer!' " will be on it. And the radio station will play 50% local music.

Millionaire. Music. 50% local.

I can sure as hell dream.

4.9.10

The Pagans: Stereokineticspiraldreams


The Pagans
Stereokineticspiraldreams
1993 / 12 tracks, 45.9 mins / Tim Records
[Request for Download Link] (105MB)

[Full Review / Commentary / Track List Here]


Straight-up hardcore skateboard punk viewed through hazy shoegaze-o-visions, mixing both well enough not to be considered specifically influenced by an artist of either side. And the Pagans come across a surf rock band. Midway track "DHL"'s chord falls and build-ups sound great without vocalist Morris, but when he comes in, everything just reaches a new level of awkwardness. Remember that guy? In Singapore Idol? Who was so soft? Remember how during one of the episodes when he was brought on to the show and heard with the help of cranked up amplifiers? Morris sounds exactly like that. I can't make out much from this album; it's like trying to distinguish an enemy character amongst the realistic dark overtones from GTA IV. One thing's for sure though, and it's that this album is bland - the perks like Morris' voice comes more of an annoyance than a distinct feature.

C5

Track Cuts: "Part II" (Morris screams, that's why)

3.9.10

Allura: Wake Up and Smell the Seaweed


Allura
Wake Up and Smell the Seaweed
2008 / 6 tracks, 25.5 mins / Unsigned
[Request for Download Link] (59MB)

[Full Review / Commentary / Track List Here]

Starts strongly with "Liberty with Wings". Don't mind the harsh guitar and clunky drums throughout the six tracks, because "Wake Up and Smell the Seaweed" is infectious, easy, relaxing, even. Even the weakest link "Gamajazillion" has its own clever-artful-Polytechnic-student breakdown, several of them, in fact, "Wake Up and Smell the Seaweed"'s makes up for its lack of originality by piling up truckloads of been-there-done-that ideas and screws them together solidly. In a world where music is getting recycled so often, what better way to escape the inevitable subconscious sampling than to embrace it fully? These guys are so unabashedly crafted with smorgasbords of rhythm generics that they manage to be entertaining despite sounding completely overused. Power-pop post-grunge emo-punk "Ladeda" saves the back from drifting off into a hazy and boringly mediocre ending. It's the single-handed saviour of Singapore's alternative rock scene, and the best image lead singer Inch Chua has ever had to offer.

B4


Track Cuts: "Ladeda"

Myspace Last.FM

Rudra: Brahmavidya: Transcendental I


Rudra
Brahmavidya: Transcendental I
2009 / 14 tracks, 68 mins / Trinity Records, Vic Records
[Request for Download Link] (103MB)

[Full Review / Commentary / Track List Here]

"Meditations at Dawn" is sweetly welcomed as a breather after the gnashing 17-minute crush, but I'm still kept on my toes because Rudra kicked the door in on an apartment ritual blasting visual sound waves on the first song. Mountainous peaks in the record highlight themselves atop quieter valleys creating pitfalls which can be easily tripped on. And that's exciting good fun. Now someone convince me that every other metal record will not sound like this?

B3

Track Cuts: "Meditations at Dawn", "Venerable Opposites", "Adiguru Namastubhyam"

Website Last.FM Myspace

2.9.10

EZA: Minimal Variations

EZA
Minimal Variations
2009 / 11 tracks, 47.3 mins / Unsigned
[Request for Download Link] (109MB)

[Full Review / Commentary / Track List Here]

Minimal variations doesn't mean variations of minimal. In fact, this record is so maximal it's a complete mess. The journey is in equal parts exhilarating and exhausting, and demands absolutely all of your attention or none of it at all. "Badupbebop (Live)" is truly orgiastic with its air-guitar sequences (which are apparent throughout the album), and despite its relatively enormous length, it transitions to the next song just as well as any other on the record without losing any of the energy built up all the way from the start. That which is "Tragic", a puzzling album-opener which seeks to destroy your eardrums with clattering cymbals to numb you out for the rest of the experience. Not that it can stop the searing energy pulsating into your heartbeat and possessing your mind into a bed-rocking air-guitar god.

A2

Track Cuts: None

iLike Friendster

1.9.10

Parking Lot Pimp: Welcome to Our Frequency


Parking Lot Pimp
Welcome to Our Frequency
2005 / 12 tracks, 57.4 mins / EMI
[Request for Download Link] (132MB)

[Full Review / Commentary / Track List Here]


"Welcome to Our Frequency" is not so much of a welcome, and neither is the frequency unique, but it's enjoyable from a casual perspective. The beatbox mix on "Love Song for a Love Song" is a nice touch, and the phone-in lines in "A Letter from Dreamland" is quirky, but it's not what Parking Lot Pimp can excel in. They're very good as an unabashedly pop-rock-hop party band. However, "Little details I don't got to know", because the album's more casually enjoyable than any Jamiroquai album out there. Solid as a full packet of R&B tracks, with all of them catchy to a very dim and simple point. Still, I'm a little turned off by how they censored themselves on "Light Switch". And how "Light Switch" sounds like a Jamiroquai staple.

B4

Track Cuts: "Life's Thinking About You"

Last.FM

29.8.10

The Great Spy Experiment: Flower Show Riots


The Great Spy Experiment
Flower Show Riots
9.2008 / 11 tracks, 52.9 mins / Riot! Records, Universal Music Singapore
[Request for Download Link] (123MB)

[Full Review / Commentary / Track List Here]


Maybe I'm a bit old on this, but this is Singaporean music too so I'm giving this a go. The challenge for the Great Spy Experiment is, after you've belted out a song like "Class A Love Affair 2007" at the beginning, you've got to build up on it, tear it down, or continue its blistering strength consistently for the rest of the album. And what does the Great Spy Experiment do? "The Great Decay" tries hard to emulate it, and "Siti in the City" is their final attempt, but nothing can save this album from being bleedingly average. 2007 might be have been the Year of Alternative, but playback factor for the Great Spy Experiment is as dim as the back burner it is.

C6

Track Cuts: "Class A Love Affair 2007"

Myspace
Facebook Last.FM

Inch Chua: Wallflower


Inch Chua
Wallflower
17.7.2010 / 12 tracks, 39.2 mins / Unsigned
DOWNLOAD (92MB)

[Full Review / Commentary / Track List Here]


Orchestra instruments are apparent here and there, featuring as a rhythmic duet partner in Inch Chua's title track "Wallflower" and lest I forget in the beginning "No. 7", a rather exciting album opener. "Wallflower" is a light, direct complaint, but a beautiful complaint, at how she ain't so pretty and the world needs pretty people and how she wants to be heard but nobody cares to see her blah blah blah, but it's good. It's perfect. So perfect it's lamentable how the first half of the album doesn't do the same thing, and commendable how the rest of the album follows the title track up excellently. There, Inch Chua's voice deservedly shines through without the cacophony and clatter of basic and largely mediocre pop rock.

B4

Track Cuts: "Wallflower", "Pins & Needles", "Goodnight"

Website
BandCamp Myspace Last.FM Facebook Twitter Youtube Tumblr

28.8.10

MUON: The New Mutants


MUON
The New Mutants
2008 / 10 tracks , 47.8 mins / Unsigned
DOWNLOAD (88MB)

[Full Review / Commentary / Track List Here]


The 9-minute epic in the middle, "This is Not the End", begins just as any other MUON song on the album. Distorted guitar, noodling, some computer filters, then it begins to crack with a flutter of cymbals and striking guitars like sunlight at the opening of a cave, before skipping the whole of 2001: A Space Odyssey and entering the part where the guy's travelling at light speed with closeups of the protagonist's face through the visor. Real (anti) climax though? "Part X" with its close-yet-no-cigar tease. Talk about sexual dysfunctions while looking at the universe through an observatory in Mars. Oops.

A2

Track Cuts: "Part X"

Facebook Myspace Last.FM

27.8.10

ShiGGa Shay: ShiGGa Shay's in the Building! (The Mixtape)


ShiGGa Shay
ShiGGa Shay's in the Building! (The Mixtape)
28.7.2010 / 14 + 1 tracks, 44.6 + 3 min / Unsigned
DOWNLOAD (112MB)

[Full Review / Commentary / Track List Here]

Promising. Wouldn't say he's a surefire star but I don't mind if he is, because he one precocious Asian. (He Asian?) Still, I wouldn't want his Oriental background to be a novelty factor. And that's no issue as he doesn't bank on how he Chinee' in his tracks (bar "Make It Big"). But if he's only going to sound like good old radio staples, his childhood prophecies of being a star is going to fizzle. All in all, his beats' sweet, his flow's gold, his lines' fine, but even that's not enough for this young rapper's struggle to stardom in this mercurial game. ShiGGa doesn't just need to stay in it, he needs to lead it. "I ain't even started yet," he assures on the outro. Good, because ShiGGa's got room for improvement. Which means he's got a lot to do if the closing snippet is all he's guaranteeing.

P.S. He only says there isn't any Crack Music because he Asian. (He Asian?)

B4

Track Cuts: "I'm Asian (feat. Kwizyne)", "Day Dream (feat. Daryl Lai)"

Myspace
Last.FM BandCamp Blogspot Facebook Twitter

25.8.10

What's This?













What this? What's Singapore, you should more or less ask me. Singapore's a bustling community, full of vibrant life and aspiring minds, from cultures and races all over the world. We may be one of the smallest countries, but we are more packed and vivid than a 48 colour pencil box.

Now, racism aside, our diverse cultures mix and match to form great works of art. Or, do we form great works of art? Seems like nobody's interested in the arts. Singapore's all business, all economy, all work and government and school and football. Wonder where the great artists have gone, considering the opportunities Singapore has in store for many new forms of visuals, sounds and motions through its 5 million-strong 45 year-long traditional heritage.

Truth is, Singapore's got beat, all right. There's music and movies all around! Not everybody follows the rat-race that is business in Singapore (or, at the very least, part-time). Some follow their passions, passions of inspiring people through books and paintings. Singapore doesn't have a lack of dedicated artists. We have a lack of dedicated followers.

We need to start looking around ourselves and not overseas. We better stop complaining about the lack of culture and arts in Singapore and start fixing it, for we are the problem ourselves! Communities like NoiseSingapore and Audioreload have been doing just that. Now it's our turn to play our part too.

Me? I don't know much about the arts, honestly. The only thing I'm into is music. Just one form of arts. But my ears, though little, is still something I can contribute to the arts industry in Singapore.

This website is a collate of reviews and essays for Singaporean music, either latest or in the past. In true Singaporean style, ratings will go from up A1 to down F9. I will be very critical of some, but I will also, of course, praise. Mind you, if you're insulted or anything, at the very most, this is just one person's opinion. And the artist can always improve in the future. I have little prejudice for artists who have failed to impress before, as I subscribe to the belief of "Late Bloomers". And mind you, "Late Bloomers" shine far stronger than those who burn out early.

I'll try my very best to look out for music myself through sources such as BandCamp, Last.FM and NoiseSingapore but if you want me to check out your stuff, hit me an email at singaporegotbeat@gmail.com detailing yourself (Artist name, label name, album name, date released, maybe a short bio) with a link of an EP, mixtape or album and I'll DEFINITELY review it, under one criterion, that is, that you're Singaporean, of course! Rock, hip-hop, jazz, dance, folk, singer-songwriter, whatever. Just as long as you're a citizen.

Oh yeah, tell me if you're comfortable with me putting up the download link, or if you wish me to direct it to your website or whatever. You know, before I do something wrong and the cops come raining down on me.

And I'm into the distance, but before long I'll hit the waters, as I'm S-s-s-Singaporean.